Commissioned for the 2021 Huddersfield Contemporary Music Festival, John Butcher's fantastic work for 14 improvisers of unique approach employs what Butcher refers to as "psychological orchestration"--imagining how each performer might respond to particular ideas & their sonic company--the score, which includes photographic imagery, directing specific solos, duos & small groupings.

Composer Dominic Lash's Consort ensemble explores the possibilities of combining sustained-tone music, guided & free improvisation, and the relationship between acoustic and amplified sound, heard in this evolving, extended concert at Café Oto on Lash's 40th birthday, in a unique mix of acoustic & electronic instruments that even includes an amplified kitchen sink!

A melodic set of improvisations composed by bass clarinetist Chris Cundy, using approaches for songwriting to create compelling jazz compositions, in a band with Fyfe Dangerfield on piano, Mat Martin on guitar, Hannah Marshall on cello, Mark Sanders on drums and Dominic Lash on bass.

Paul Dunmall's nonet with Neil Metcalfe, Philip Gibbs, Trevor Taylor, Hannah Marshall, Sarah Farmer, Theo May, Alison Blunt and John Edwards on one track, is a larger ensemble blurring improvisation and compositional approaches through violin, viola, cello, double bass guitar, reeds, flute, and guitar; sophisticated chamber improvisation of superb quality.

LAST is part of a series by Caroline Kraabel (LIO, Remote Viewers) mixing live improvisation with pre-recorded material provided by Robert Wyatt for this purpose, performed live at Cafe OTO in two versions: first where the 15-piece ensemble has not yet heard the Wyatt interventions, and second where they were familiar with and use his voice to structure what they play.

UK improvising saxophonist Rachel Musson incorporates spoken word text and daring instrumental experimentation in a large work for an 8-piece ensemble of bass, sax, and strings, with narration in a through-composed text written by Musson that explores the process of improvisation, and her reflections on the experiential process of making music.

Active and interactive percussion using extended techniques from the London trio of trumpeter Ian Smith, percussionist Stephen Flinn, and cellist Hannah Marshall.